For five decades, Claudia Andujar (*1931) has dedicated herself to the indigenous community of the Yanomami in the Amazon in northern Brazil and accompanies them with her camera. When their habitat is exposed to acute threats in the 1970s, the photographer prescribes her life and work to the fight for the rights of the Yanomami. Her many years of political commitment alongside Yanomami leader Davi Kopenawa and other participants finally led to the demarcation of the country of the community in 1992. Against the background of current events such as ongoing landslides by mining and livestock farming or the spread of malaria and Covid-19, Andujar's activist efforts have not lost their relevance.

Today, cultural production also takes place in the digital, the audience is reached by stream. Communication should make use of new media and strategies. The archive must be digitized - and be publicly accessible online. Exhibitions take place online - but can be visited worldwide. Events, congresses or festivals require hybrid concepts. Mediation examines new formats in audio and moving images. The digital transformation has gained in urgency recently and inevitably presents us with new challenges and tasks. The decisive factor in order to be able to act successfully now is the conscious handling of digitality and the ability to think and use the new in a targeted manner.

Today, cultural production also takes place in the digital, the audience is reached by stream. Communication should make use of new media and strategies. The archive must be digitized - and be publicly accessible online. Exhibitions take place online - but can be visited worldwide. Events, congresses or festivals require hybrid concepts. Mediation examines new formats in audio and moving images. The digital transformation has gained in urgency recently and inevitably presents us with new challenges and tasks. The decisive factor in order to be able to act successfully now is the conscious handling of digitality and the ability to think and use the new in a targeted manner.

Andrea Hintereggger De Mayo first started working in the financial sector before she transitioned it to the art world. She was a co-owner of a Zurich gallery and is now the director for Latin America at Mai 36 Galerie. Andrea tells Tanya König what she thinks about closing her gallery after 6 years, and how young gallerists should go about their spaces, and why she thinks the pandemic and the push to go online was a missed opportunity to charge for digital content.

Das darfst Du nicht spielen is the title of an one hour long talk where we will investigate on the subject; Auch in der Kunst/Kultur herrscht noch lange keine Geschlechtergerechtigkeit (Even in art/culture there is still a long way to go before gender equality prevails.

This talk, will try to answer questions about what is covered by the term Latin American Art, how Latin American Art has been shaped and what major forces impact its development today and introduces regional and generational diversity through artworks of 3 female artists.

Curating and integrate contributions into the Zurich Digital Art Festival with various position from Latin America and from Africa

Andrea Hinteregger De Mayo investigates if there is such a term as Latin American art. This leads her to study the cultural

El Plan Azul by Michael Günzburger curated by Andrea Hinteregger De Mayo

Introduction to the vivid México City art scene by visiting different artists studios.

Curating a journey to parts of México to show intellectual delights, introduce to a vivid art scene of México City and Guadalajara and lastly to offer a sense

Research in various Areas of Panama. Investigation on the 4 Pilar method, Culture, Economic, Religion and Politics.

To organize Art Soirees, for a small group of people, to be able to discuss one work (or a work series) by the artist.

Research different artist position by visiting various artist’s studios, exhibitions, galleries and the Havana Bienal XII.

Research projects in São Paulo and Rio de Janeiro with different artist positions by visiting various artist’s studios, exhibitions, galleries, museums and the São Paulo Bienal

Andrea Hinteregger De Mayo investigates if there is such a term as Latin American art. This leads her to study the cultural

Assembleia MotherTree, a two-day assembly convened in the GaiaMotherTree tent and at partner organizations in Zurich. Bringing together members from three different Amerindian families and traditions – the Huni Kuin, Yawanawa, and Tukano – with scholars from many parts of the world, as well as students, artists, activists, and ecological thinkers.

Organzing Art Soirees, for a small group of people, to be able to discuss one work (or a series) by the artist or artist group. Within this intimate format, the aim was to take the speed, in which we move normally during vernissages and viewings out of the equation, and to create a specific moment in time.

Curating a journey to Madrid to show intellectual delights, introduce our clients to the vivid art scene of Madrid, show architectural highlights, introduction to the interesting food scene of the city and give an overview of the cultural diversity of Madrid.

Curating the show Everyday’s Alchemy at Von Bartha Gallery with 10 position from Latin America.